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EDITOR IN CHIEF- ABDULLAH BIN SALIM AL SHUEILI

Omani artist reinterprets heritage through contemporary art

Al Hatmi explores new ways of bringing sculpture, ceramics, design and traditional crafts together.
Al Hatmi explores new ways of bringing sculpture, ceramics, design and traditional crafts together.
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MUSCAT: Omani visual artist Nasser bin Saif al Hatmi draws inspiration from Oman's cultural heritage and natural environment, transforming traditional motifs and locally sourced materials into contemporary artistic expressions.


With more than two decades of experience spanning visual arts, education, artistic supervision and craft development, Al Hatmi views heritage not merely as a record of the past but as a renewable source of creativity, innovation and future possibilities.


His artistic journey combines academic knowledge with practical experience in sculpture, design and craft documentation, exploring the relationship between national identity, the memory of place and the aesthetic qualities of local materials.


Al Hatmi said his interest in art extended beyond conventional materials such as paper and colour to include nature and its inherent aesthetic values.


Rocks, mountains, tree trunks, leaves and clay have all influenced his artistic practice, encouraging him to experiment with environmental materials and explore their expressive possibilities.


He said natural materials carried visual qualities and memories associated with their surroundings, inspiring him to develop artworks that combine aesthetic appeal with a strong connection to the local environment.


Omani traditional crafts form another important source of inspiration. Rather than simply reproducing familiar decorative patterns and motifs, Al Hatmi studies their structures and visual characteristics, exploring how they can be adapted into contemporary designs, artworks and handcrafted products.


His approach treats heritage as a living cultural and aesthetic resource that can evolve while retaining its connection to national identity.


His artistic practice encompasses stone and wood sculpture, ceramics, metalwork, design and applied arts. Each material offers different possibilities for exploring texture, form, structure and space, allowing him to develop a distinctive visual language inspired by the Omani landscape.


Beyond his individual artistic work, Al Hatmi has made significant contributions to art education and professional development. His career included teaching, artistic supervision and eventually serving as general supervisor of the arts.


He also contributed to developing visual arts curricula and conducting workshops for art teachers and craftspeople. These covered environmental materials, ceramics, graphic design, metalwork, textiles and traditional crafts, including copper and aluminium shaping, woodwork, and carving on bone and coconut shells.


Between 2009 and 2020, he was actively involved in documenting traditional crafts, developing training and production plans, and designing production lines for handcrafted products. His work covered ceramics, cotton and wool textiles, carpets, copper and silver work, wood, palm fronds and other traditional materials.


He said developing traditional products requires an understanding of their materials, techniques and decorative elements, followed by adapting their designs to contemporary requirements without losing their cultural identity. Such efforts can improve product quality, expand market opportunities and support the sustainability of traditional crafts.


Al Hatmi has also worked on stage sets, interior decoration and furniture for mosques, public spaces and homes, besides contributing to architectural design and implementation.


His exhibition record includes events organised by the Omani Society for Fine Arts, the Treasures in Love of the Homeland exhibition in 2023, and exhibitions at the Scientific College of Design and Muscat International Book Fair in 2024.


Internationally, he participated in World Wood Day events in Cambodia in 2016 and Austria in 2017, focusing on wood carving, as well as art education and design forums in the region.


Despite his diverse professional responsibilities, artistic practice remains central to his ambitions. He continues to explore new ways of bringing sculpture, ceramics, design and traditional crafts together, demonstrating how Oman's heritage and natural environment can inspire contemporary creativity. - ONA


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